| Vibrato in Fiddle Music | | | | bow, place a finger on the string. Do the same kind |
| In American fiddle styles you don't hear vibrato on | | | | of move with the large muscles of the upper arm. |
| fast tunes. Break downs, hoe downs, rags, and other | | | | Keep the movement small and tight. Your hand |
| fast tunes have rapid notes that give a player no | | | | should rock slightly over your finger tip. Don't worry if |
| time to do vibrato. Only on waltzes and ballads are | | | | it's spastic. It's a start. |
| you likely to hear vibrato. | | | | 3. Now do the arm oscillation with finger down and |
| This is not necessarily the case with Irish fiddling. | | | | rocking while you pull the bow evenly across the |
| There you might hear a quick vibrato just as you | | | | same string. This is where it gets tricky. The |
| might hear a quick roll or bow rattle. Vibrato seems | | | | tendency is to also oscillate the bow. Oops. Then, |
| to be an ornament in jigs and reels. But, it is not used | | | | you stop the bow and your left arm stops also. |
| often. | | | | Truly, this is much harder than walking and chewing |
| The question is, "How do you do vibrato in fiddle | | | | gum. |
| music?" | | | | If you persist in your efforts along these lines, you |
| In a short essay like this, it's easier to say how not | | | | will have the experience of rocking your hand over |
| to do vibrato than how to do it well. (And, really you | | | | the finger tip while pulling, or pushing, the bow for a |
| need a good coach to learn this.) If your wrist is | | | | moment. This will produce the wavering sound of |
| moving in and out through the center line of your | | | | vibrato. |
| forearm and hand, you are doing it wrong. If your | | | | The last stage is not numbered. It's where the |
| finger is moving but not the rest of your hand or | | | | process "clicks." There is a mysterious feedback loop |
| arm, you are doing it wrong. There! That was easy. | | | | in the arm that sets up a repeated motion. Once it |
| Three Steps to Vibrato Mastery | | | | clicks in, you need not think about keeping it going. |
| The way I teach vibrato is simple, although difficult | | | | You need only feed the process strength and |
| to learn. It's a three step formula. | | | | energy. |
| 1. Pretend you are driving in Rome, Italy. A rude | | | | Making it Lazy |
| driver starts to cut you off. You put your arm out | | | | Consider the question of speed of vibrato oscillation. |
| the window and make a fist. Moving it quickly back | | | | Classical violin vibrato is very fast, passionate and |
| and forth, you yell, "Hey! What'sa matta you?" | | | | dramatic. Fiddle music invites a slower, more relaxed |
| You are using your biceps and triceps, large muscles | | | | sound. You want to warm the sound, not make it |
| of the upper arm, to rapidly oscillate your fist back | | | | sizzle. |
| and forth. Your wrist is tense, not floppy, because | | | | This warm, lazy sound works well for southern |
| you are powerful. | | | | country waltzes and for ballads, too. It pleases the |
| 2. Now pick up your fiddle and, without using the | | | | listener and the fiddler. Enjoy it! |